Instead of their appearing in order, these cars (out of production) are intrusive and abandoned in places (squares, corners, etc.) that were not born to be a car park: surreal and metaphysical places, that could belong to any space.
In the istant in which they are photographed, these cars seem not bring any trouble, because nothing is known about the preceding or following moment of the release; actually we don't know how much they are an obstrucion because of their being put out of place.
For a selfish personal need a common accord is not respected: a private object is thrown in a public context. The space becomes disharmonious as it was not born to be a car park, and the composition is forced. Whilst the photo documents a matter fact, it also sublimate the unwilling act.